{"id":7626,"date":"2024-11-21T12:11:01","date_gmt":"2024-11-21T16:11:01","guid":{"rendered":"https:\/\/www.tbilisifilmfestival.ge\/?p=7626"},"modified":"2024-11-27T15:57:45","modified_gmt":"2024-11-27T19:57:45","slug":"%e1%83%97%e1%83%91%e1%83%98%e1%83%9a%e1%83%98%e1%83%a1%e1%83%98%e1%83%a1-25-%e1%83%94-%e1%83%99%e1%83%98%e1%83%9c%e1%83%9d%e1%83%a4%e1%83%94%e1%83%a1%e1%83%a2%e1%83%98%e1%83%95%e1%83%90%e1%83%9a","status":"publish","type":"post","link":"https:\/\/www.tbilisifilmfestival.ge\/en\/%e1%83%97%e1%83%91%e1%83%98%e1%83%9a%e1%83%98%e1%83%a1%e1%83%98%e1%83%a1-25-%e1%83%94-%e1%83%99%e1%83%98%e1%83%9c%e1%83%9d%e1%83%a4%e1%83%94%e1%83%a1%e1%83%a2%e1%83%98%e1%83%95%e1%83%90%e1%83%9a\/","title":{"rendered":"Full list of films of the 25th Tbilisi Film Festival"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\"><br><br>On December 1, the Tbilisi International Film Festival will open for the 25th time, and for 8 days, the Amirani Cinema will become a gathering place for film lovers.<br>The festival will be opened by Tato Kotetishvili&#039;s &quot;Holy Electricity,&quot; a film that won the top prize, the Golden Leopard, in the Young Directors Competition at the Locarno Film Festival.<br><br>The full list of festival films and sections is as follows:<br><br><strong>European Forum<\/strong><\/mark><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">European Forum<\/mark><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"\">Hacking Hate \u2013 Simon Klose, Sweden\/Denmark\/Norway 2024, 86&#039;\u2019<\/li>\n\n\n\n<li class=\"\">Holy Cow \u2013 Louise Courvoisier, France 2024, 90&#039;\u2019<\/li>\n\n\n\n<li class=\"\">In the Name of Blood \u2013 Akaki Popkhadze, France\/Belgium\/Austria 2024, 108&#039;\u2019<\/li>\n\n\n\n<li class=\"\">Love \u2013 Dag Johan Haugerud, Norway 2024, 119&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">Maria&#039;s Silence \u2013 Davis Simanis Jr., Latvia\/Lithuania 2024, 104&#039;\u2019<\/li>\n\n\n\n<li class=\"\">Motel Destino \u2013 Karim A\u00efnouz, Brazil\/France\/Germany 2024, 115&#039;\u2019<\/li>\n\n\n\n<li class=\"\">Sex \u2013 Dag Johan Haugerud, Norway 2024, 125&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">The Hypnosis \u2013 Ernst de Geer, Sweden\/Norway\/France 2023, 98&#039;\u2019&nbsp;&nbsp;<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">EFA Selection<br>The European Film Academy presents&nbsp;<\/mark><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"\">Misericordia \u2013 Alain Guiraudie, France\/Spain\/Portugal 2024, 102&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">Moon \u2013 Kurdwin Ayub, Austria 2024, 92&#039;\u2019&nbsp;&nbsp;<\/li>\n\n\n\n<li class=\"\">Souleymane&#039;s Story \u2013 Boris Lojkine, France 2024, 92&#039;\u2019&nbsp;&nbsp;<\/li>\n\n\n\n<li class=\"\">The Room Next Door \u2013 Pedro Almodovar, Spain 2024, 110&#039;\u2019<\/li>\n\n\n\n<li class=\"\">The Rye Horn \u2013 Jaione Camborda, Spain\/Belgium\/Portugal 2023, 103&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">Toxic \u2013 Saule Bliuvaite, Lithuania 2024, 99&#039;\u2019&nbsp;&nbsp;<\/li>\n\n\n\n<li class=\"\">The Sparrow in the Chimney \u2013 Ramon Z\u00fcrcher, Switzerland 2024, 117&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">The Shameless \u2013 Konstantin Bojanov, Switzerland\/France\/Bulgaria\/Taiwan\/India 2024, 115&#039;\u2019&nbsp;<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Oscar Contenders<br>Oscar seekers<\/mark>\u10d8<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"\">Dahomey \u2013 Mati Diop, France\/Senegal\/Benin 2024, 68&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">Drowning Dry \u2013 Laurynas Barei\u0161a, Lithuania\/Latvia, 90&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">Flow \u2013 Gints Zilbalodis, Latvia\/France\/Belgium 2024, 84&#039; (Animation)&nbsp;&nbsp;<\/li>\n\n\n\n<li class=\"\">I&#039;m Still Here \u2013 Walter Salles, Brazil\/France 2024, 135&#039;\u2019&nbsp;&nbsp;<\/li>\n\n\n\n<li class=\"\">Sujo Sukho \u2013 Astrid Rondero, Fernanda Valadez, Mexico\/Spain\/France 2024, 126&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">The Girl with the Needle \u2013 Magnus von Horn, Denmark\/Poland\/Sweden 2024, 115&#039;\u2019<\/li>\n\n\n\n<li class=\"\">The Murderess \u2013 Eva Nathena, Greece 2023, 97&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">Under the Volcano \u2013 Damian Kocur, Poland 2024, 102\u2032&nbsp;&nbsp;<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Made in Germany <br>Made in Germany<\/mark><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"\">Dying \u2013 Matthias Glasner, Germany 2024, 180&#039;\u2019<\/li>\n\n\n\n<li class=\"\">From Hilde, with Love \u2013 Andreas Dresen, Germany 2024, 124&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">In the Blind Spot \u2013 Ey\u0219e Polat, Germany 2023, 118&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">The Seed of the Sacred Fig \u2013 Mohammad Rasoulof, Iran\/Germany\/France 2024, 168&#039;\u2019<\/li>\n\n\n\n<li class=\"\">Two to One \u2013 Natja Brunckhorst, Germany 2024, 116&#039;\u2019<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">UK Showcase <br>British program<\/mark><br><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"\">Conclave \u2013 Edward Berger, UK\/USA 2024, 120&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">Santosh \u2013 Sandhya Suri, UK\/Germany\/France\/India 2024, 120&#039;\u2019<\/li>\n\n\n\n<li class=\"\">September Says \u2013 Ariane Labed, Ireland\/UK\/Germany 2024, 100&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">To a Land Unknown \u2013 Mahdi Fleifel, UK\/Palestine\/France\/Greenland\/Netherlands\/Germany\/Qatar\/Saudi Arabia 2024, 105\u2032&nbsp;<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Ukrainian Story<br>Ukrainian story<\/mark><br><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"\">Honeymoon \u2013 Zhanna Ozirna, Ukraine 2024, 84&#039;\u2019<\/li>\n\n\n\n<li class=\"\">La Palisiada \u2013 Philip Sotnychenko, Ukraine 2023, 100&#039;\u2019<\/li>\n\n\n\n<li class=\"\">My Carpatian Grandpa \u2013 Zaza Buadze, Ukraine\/Italy 2023, 116&#039;\u2019<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Tour of Europe <br>European tour<\/mark><\/strong><br><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"\">Those Who Are Fine \u2013 Cyril Sch\u00e4ublin, Switzerland 2017, 71&#039;\u2019<\/li>\n\n\n\n<li class=\"\">In the White City \u2013 Alain Tanner, Switzerland\/Portugal\/UK 1983, 108&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">Longing for the World \u2013 Jenna Hasse, France\/Switzerland\/Portugal 2023, 76&#039;\u2019<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Apollo: Memories of Cinema<br>Apollo: A Cinematic Memory<\/mark><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"\">The Swimming Pool \u2013 Jacques Deray, France 1969, 122&#039;\u2019&nbsp;&nbsp;<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Special Screenings <br>Special sessions<\/mark><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"\">Life \u2013 Zeki Demirkubuz, Turkey\/Bulgaria 2023, 160&#039;\u2019<\/li>\n\n\n\n<li class=\"\">Winter Ade Goodbye, Winter! \u2013 Helke Misselwitz, East Germany 1989, 116&#039;\u2019&nbsp;&nbsp;<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Georgian Panorama<br>Georgian panorama<\/mark><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Full-length Fiction Films<br>Full-length feature films<\/mark><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"\">Air Blue Silk \u2013 Irine Jordania, 2024, 84&#039;\u2019<\/li>\n\n\n\n<li class=\"\">April \u2013 Dea Kulumbegashvili, Georgia\/France\/Italy, 2024, 134<\/li>\n\n\n\n<li class=\"\">Holy Electricity \u2013 Tato Kotetishvili, Georgia\/Netherlands, 2024, 101&#039;\u2019<\/li>\n\n\n\n<li class=\"\">Terzo Mondo \u2013 Merab Kokochashvili, 2024, 99&#039;\u2019<\/li>\n\n\n\n<li class=\"\">When You Are 17 \u2013 Giorgi Mukhadze, 2024, 90&#039;\u2019<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\"><strong>Short Fiction Films <br>Short feature films<\/strong>&nbsp;<\/mark><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"\">Aldi \u2013 Giorgi Arabuli, 2024, 18&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">Amaia&#039;s Guests \u2013 George Todria, Georgia\/Spain, 20<\/li>\n\n\n\n<li class=\"\">Bait \u2013 Giorgi Mukhadze\/Toby Andris, 2024,15&#039;\u2019<\/li>\n\n\n\n<li class=\"\">Burning Sun \u2013 Nutsa Tsikaridze, 2024, 18&#039;\u2019<\/li>\n\n\n\n<li class=\"\">Elene Dariani \u2013 Elene Tavadze, 2024, 15&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">Fisherman&#039;s Burden \u2013 Levan Tskhovrebadze, 2024, 18&#039;\u2019&nbsp;&nbsp;<\/li>\n\n\n\n<li class=\"\">I Left Full of Emptiness \u2013 Shalva Shengeli, Irine Javakhidze, 2024, 19&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">In My Head \u2013 Sergi Sulaberidze, 2024, 5&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">Inhale \u2013 Melana Sokhadze, Georgia\/Switzerland, 2024, 13&#039;\u2019<\/li>\n\n\n\n<li class=\"\">In the Car Behind the Wheel \u2013 Grigol Janashia, 2024, 15&#039;\u2019<\/li>\n\n\n\n<li class=\"\">Lower Than The Sky \u2013 Vajiko Chachkhiani, 2022, 16&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">So I don&#039;t forget \u2013 Giorgi Kvartskhava, 12&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">Stuck in Silesia \u2013 Sandro Wysocki, Georgia\/Poland, 2024, 23&#039;\u2019&nbsp;&nbsp;<\/li>\n\n\n\n<li class=\"\">The More I Zoom in on the Image of These Dogs, the Clearer it Becomes That They Are Related to the Stars \u2013 Alexandre Koberidze, Georgia\/Belgium\/Hungary, 2023, 4&#039;\u2019&nbsp;&nbsp;<\/li>\n\n\n\n<li class=\"\">The Prince And The Pauper \u2013 Nana Jorjadze, Georgia\/Monaco, 2024, 24&#039;\u2019&nbsp;<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Feature-length Documentary Films<\/mark><\/strong><br><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Full-length documentaries<\/mark><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"\">Blueberry Dreams \u2013 Elene Mikaberidze, Georgia\/France\/ Belgium\/Qatar, 2024, 75&#039;\u2019<\/li>\n\n\n\n<li class=\"\">Ever Since I Knew Myself \u2013 Maka Gogaladze, 2024, 85&#039;\u2019<\/li>\n\n\n\n<li class=\"\">Limitation Expired Case \u2013 Soso Dumbadze\/Elene Asatiani, 2023, 125&#039;\u2019<\/li>\n\n\n\n<li class=\"\">National Exams National Exams \u2013 Giorgi Mrevlishvili, 2024, 74&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">On The Way Home \u2013 Giorgi Kvelidze, 2024, 102&#039;\u2019<\/li>\n\n\n\n<li class=\"\">The Mountain Speaks To the Sea \u2013 Tekla Aslanishvili, Georgia\/Germany, 2024, 72&#039;\u2019&nbsp;<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Short Documentary Films<\/mark><\/strong><br><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Short Documentary Films<\/mark><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"\">Bakhmaro 2050 Bakhmaro 2050 \u2013 Anka Gujabidze, 2024, 23&#039;\u2019<\/li>\n\n\n\n<li class=\"\">Father, Developed \u2013 Elene Burchuladze, 2024, 21&#039;\u2019<\/li>\n\n\n\n<li class=\"\">It Will Be Better Before \u2013 Ketevan Kipiani, 2024, 26&#039;\u2019<\/li>\n\n\n\n<li class=\"\">Katarina and the Tiger \u2013 Bakar Cherkezishvili, 2024, 15<\/li>\n\n\n\n<li class=\"\">Ode To Memorial \u2013 Giorgi Kvartskhava, 2024, 30&#039;\u2019<\/li>\n\n\n\n<li class=\"\">One Of Us Is Dead \u2013 Sopho Chkheidze, 2024, 22&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">Switch the Script \u2013 Nini Chikviladze\/Tata Gulverdashvili, 2024, 15&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">The Flower by the Road \u2013 Giorgi Parkosadze, Georgia\/Hungary\/Belgium\/Portugal, 2024, 15&#039;\u2019<\/li>\n\n\n\n<li class=\"\">The Sands Of Silence \u2013 Giorgi Mrevlishvili, 2024, 3&#039;\u2019<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Student films<\/mark><\/strong><br><strong><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-black-color\">Student films<\/mark><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"\">Forget Me Not \u2013 Nino Didebashvili, 2024, 9&#039;\u2019<\/li>\n\n\n\n<li class=\"\">Kato Kato \u2013 Maia Gelovani, 2024,14&#039;\u2019<\/li>\n\n\n\n<li class=\"\">Narrow View \u2013 Elene Sheklashvili, 2024, 16&#039;\u2019&nbsp;<\/li>\n\n\n\n<li class=\"\">Room 222 \u2013 Saba Kentchishvili, 2024, 14&#039;\u2019<\/li>\n\n\n\n<li class=\"\">Where Are You, Father? Where are you, Father? \u2013 Nika Odishelidze, 2024, 28&#039;\u2019&nbsp;<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>1-\u10d4\u10da \u10d3\u10d4\u10d9\u10d4\u10db\u10d1\u10d4\u10e0\u10e1 \u10d7\u10d1\u10d8\u10da\u10d8\u10e1\u10d8\u10e1 \u10e1\u10d0\u10d4\u10e0\u10d7\u10d0\u10e8\u10dd\u10e0\u10d8\u10e1\u10dd \u10d9\u10d8\u10dc\u10dd\u10e4\u10d4\u10e1\u10e2\u10d8\u10d5\u10d0\u10da\u10d8 \u10e3\u10d9\u10d5\u10d4 25-\u10d4\u10d3 \u10d2\u10d0\u10d8\u10ee\u10e1\u10dc\u10d4\u10d1\u10d0 \u10d3\u10d0 8 \u10d3\u10e6\u10d8\u10e1 \u10d2\u10d0\u10dc\u10db\u10d0\u10d5\u10da\u10dd\u10d1\u10d0\u10e8\u10d8, \u10d9\u10d8\u10dc\u10dd\u10d7\u10d4\u10d0\u10e2\u10e0\u10d8 \u201c\u10d0\u10db\u10d8\u10e0\u10d0\u10dc\u10d8 \u10d9\u10d8\u10dc\u10dd\u10db\u10dd\u10e7\u10d5\u10d0\u10e0\u10e3\u10da\u10d7\u10d0 \u10d7\u10d0\u10d5\u10e8\u10d4\u10e7\u10e0\u10d8\u10e1 \u10d0\u10d3\u10d2\u10d8\u10da\u10d0\u10d3 \u10d8\u10e5\u10ea\u10d4\u10d5\u10d0.\u10e4\u10d4\u10e1\u10e2\u10d8\u10d5\u10d0\u10da\u10e1 \u10e2\u10d0\u10e2\u10dd \u10d9\u10dd\u10e2\u10d4\u10e2\u10d8\u10e8\u10d5\u10d8\u10da\u10d8\u10e1 \u201c\u10ec\u10db\u10d8\u10dc\u10d3\u10d0 \u10d4\u10da\u10d4\u10e5\u10e2\u10e0\u10dd\u10d4\u10dc\u10d4\u10e0\u10d2\u10d8\u10d0\u201d (Holy Electricity) \u10d2\u10d0\u10ee\u10e1\u10dc\u10d8\u10e1, \u10e4\u10d8\u10da\u10db\u10d8, \u10e0\u10dd\u10db\u10d4\u10da\u10db\u10d0\u10ea \u10da\u10dd\u10d9\u10d0\u10e0\u10dc\u10dd\u10e1 \u10d9\u10d8\u10dc\u10dd\u10e4\u10d4\u10e1\u10e2\u10d8\u10d5\u10d0\u10da\u10d6\u10d4 \u10d0\u10ee\u10d0\u10da\u10d2\u10d0\u10d6\u10e0\u10d3\u10d0 \u10e0\u10d4\u10df\u10d8\u10e1\u10dd\u10e0\u10d7\u10d0 \u10d9\u10dd\u10dc\u10d9\u10e3\u10e0\u10e1\u10e8\u10d8 \u10db\u10d7\u10d0\u10d5\u10d0\u10e0\u10d8 \u10de\u10e0\u10d8\u10d6\u10d8 &#8211; \u10dd\u10e5\u10e0\u10dd\u10e1 \u10da\u10d4\u10dd\u10de\u10d0\u10e0\u10d3\u10d8 \u10db\u10dd\u10d8\u10de\u10dd\u10d5\u10d0. \u10e4\u10d4\u10e1\u10e2\u10d8\u10d5\u10d0\u10da\u10d8\u10e1 \u10e4\u10d8\u10da\u10db\u10d4\u10d1\u10d8\u10e1\u10d0 \u10d3\u10d0 \u10e1\u10d4\u10e5\u10ea\u10d8\u10d4\u10d1\u10d8\u10e1 \u10e1\u10e0\u10e3\u10da\u10d8 \u10e1\u10d8\u10d0 \u10d9\u10d8 \u10d0\u10e1\u10d4 \u10d2\u10d0\u10db\u10dd\u10d8\u10e7\u10e3\u10e0\u10d4\u10d1\u10d0: European Forum \u10d4\u10d5\u10e0\u10dd\u10de\u10e3\u10da\u10d8 \u10e4\u10dd\u10e0\u10e3\u10db\u10d8 EFA Selection\u10d4\u10d5\u10e0\u10dd\u10de\u10d8\u10e1 \u10d9\u10d8\u10dc\u10dd\u10d0\u10d9\u10d0\u10d3\u10d4\u10db\u10d8\u10d0 \u10ec\u10d0\u10e0\u10db\u10dd\u10d2\u10d8\u10d3\u10d2\u10d4\u10dc\u10d7&nbsp; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8071,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"nf_dc_page":"","footnotes":""},"categories":[58],"tags":[],"class_list":["post-7626","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.tbilisifilmfestival.ge\/wp-content\/uploads\/2024\/11\/Artboard-1-copy%402x-8-1.png?fit=1684%2C1021&ssl=1","_links":{"self":[{"href":"https:\/\/www.tbilisifilmfestival.ge\/en\/wp-json\/wp\/v2\/posts\/7626","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tbilisifilmfestival.ge\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tbilisifilmfestival.ge\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tbilisifilmfestival.ge\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tbilisifilmfestival.ge\/en\/wp-json\/wp\/v2\/comments?post=7626"}],"version-history":[{"count":8,"href":"https:\/\/www.tbilisifilmfestival.ge\/en\/wp-json\/wp\/v2\/posts\/7626\/revisions"}],"predecessor-version":[{"id":7634,"href":"https:\/\/www.tbilisifilmfestival.ge\/en\/wp-json\/wp\/v2\/posts\/7626\/revisions\/7634"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tbilisifilmfestival.ge\/en\/wp-json\/wp\/v2\/media\/8071"}],"wp:attachment":[{"href":"https:\/\/www.tbilisifilmfestival.ge\/en\/wp-json\/wp\/v2\/media?parent=7626"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tbilisifilmfestival.ge\/en\/wp-json\/wp\/v2\/categories?post=7626"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tbilisifilmfestival.ge\/en\/wp-json\/wp\/v2\/tags?post=7626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}